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Sources

Sunday, January 14, 2018

My last couple of aspen paintings were inspired by this photo, taken on a hike with my husband and brother-in-law just outside of Durango, CO last summer.


For a long time the photo intimidated me. So much information! I loved the wildflowers and the darkness at the back of the forest, but the aspen trees were so young, their limbs so delicate, and I usually paint mature aspen, and no grass or ground, just trees, leaves, and sky.

But my work was feeling stale and predictable. I needed to take a risk, to be willing to try and get it wrong, or be surprised by finding a new kind of “right.” First I made this painting. I wasn’t sure about it at first, but it grew on me quickly.

Young Aspen, 30 x 40″ (sold)

After I sold the painting, I missed it. I also wondered if that looser more wild way of painting was just a fluke. Some of my previous work has felt that way. No matter how successful the results, I could never reproduce the style. But I had some uninterrupted time on my hands, and I thought I’d give it a try on a larger canvas. I thought I’d try to show some of the depth of the forest, and the way the light was hitting the leaves and the ground. I was scared. Anytime I attempt to capture even some realistic elements of a photo in my paintings, I freak out. The familiar monologue starts up that I don’t have the skill or the training, and I should stick with what I’ve come to know, with what feels safe, and with what predictably sells. Sigh.

Thankfully, that’s no fun, while getting into new territory is. So I gave it a go, and I’m pretty excited about how it came out. So excited, in fact, that the next painting I’m about to start is sourced from an even more intimidating photo–one of Gum Root Swamp at dusk, with water. 

Summer, Durango, CO, 48 x 72″

Aspen Grove

Monday, August 21, 2017

Aspen Grove

48″ x 60″

My husband and I were able to hike in an aspen forest in Colorado during our honeymoon this summer. The leaves were still green but I could easily imagine them turning yellow, shimmering or “quaking,” and falling. When we got back to Gainesville, I painted the aspens.

I’m not sure there’s ever been a more compelling time to consider aspen trees as a meditation on human connection. Aspen groves are actually all one organism, joined underground by elaborate root systems. What appear as distinct forms are in fact individual expressions of a single living creature.

 

Cypress Swamp

Wednesday, May 3, 2017

Cypress Swamp

30×40″

My husband and I recently bought road bikes. We’ve been riding the Gainesville-Hawthorne trail as much as we can lately, and it sure is lush out there. Thomas’s bike is significantly fancier than mine, and truth be told, he’s a lot stronger than me, too. This means we ride the first few miles together, and then I tell him to take off ahead of me, an arrangement we both enjoy since solo biking a long paved trail through the woods and cypress swamps is one of the most Zen activities around.

I’ve had this week away from work, which gave me a few glorious uninterrupted mornings to paint. I painted this piece today, a view from the Gainesville-Hawthorne trail that arrests me every time I bike past it.

Birds

Thursday, May 19, 2016

Lately I’ve been making some watercolor greeting cards, just for fun, and often to keep me sane during meetings. I like the cards but I don’t take them seriously–I think of them as childlike and somewhat trivial.

Bird Card

Recently I mustered up the kid in me and made a bigger version of the birds on canvas.  It’s a simple painting a child might enjoy. Who knows–maybe an adult, too.

Birds

Birds, 30 x 48″

The thing is, the more time I spend with children (and consider starting a family of my own), the more I feel like the trivial one (especially spending so much time in meetings). Meanwhile, the kids in my life see straight through trivialities. They hate sitting still and want nothing more than to feel the simple joy of making stuff, playing outside, and participating fully in life.

Bird Card

They use bright colors and simple shapes in their art.

They get excited when the sun wakes them.

They still love the birds.

Bird Card

 

 

 

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